The animation is a spectacle to look at. It changes the scenery in artful movements, almost as if the originally set, which takes place on a grassy hill, is just a dream. Madama Butterfly is well constructed, built out of clay and mechanics. Her stringy hair movement adorably sways in the imaginary wind, and her clothes, which are made out of rags. There must be a reason why the animator wanted her to look like this, versus, the opera where she is an actual geisha in a kimono, whereas, the military man is just a ken doll. I believe he wanted to symbolize a curious innocence within Madama Butterfly. He partakes this story in a very interesting way. He starts it off with the two meeting and all of a sudden connecting without any thought. In the original Madama Butterfly, he originally wanted to take a Japanese wife, he ends up taking Cho-Cho san as his wife, who is, in a sense, Madama butterfly. In the animation, he mates with her and then leaves, as if he was either to never come back...